a look at the process of blending multiple camera projections inside both action and batch. This can be useful when distortions become evident from too much perspective shift.
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Both are very interesting approaches - thanks. On occasion, I've used a "paint" approach to generate projection mattes, a variation on this Grant Kay classic: https://www.youtube.com/watch?v=aB92vw34ENs, except using that technique to generate the holdback mattes to define the blends between projections. An advantage to that approach is precision, but a disadvantage is having to manage more cameras, more outputs.
Both are very interesting approaches - thanks. On occasion, I've used a "paint" approach to generate projection mattes, a variation on this Grant Kay classic: https://www.youtube.com/watch?v=aB92vw34ENs, except using that technique to generate the holdback mattes to define the blends between projections. An advantage to that approach is precision, but a disadvantage is having to manage more cameras, more outputs.
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